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The pair of releases released so far by Ashnymph defy easy classification: the band's own tag of their work as “subconscioussion” doesn’t offer many clues. The first single Saltspreader married a heavy mechanical drumming – guitarist Will Wiffen has at times appeared on stage wearing a T-shirt that bears the logo of the trailblazing band Godflesh – with vintage-sounding synthesisers and a guitar riff that vaguely recalls the classic Stooges track I Wanna Be Your Dog, before transforming into a wall of disquieting noise. Its intended effect, the trio have suggested, was to evoke motorway travel, “the endless movement of vehicles all day long over great lengths … orange lights at night”.

The next release, Mr Invisible, falls between dance music and unconventional alternative rock. On one hand, the track’s rhythm, layers of hypnotic electronics, and lyrics that appear either trippily blurred or mesmerizingly repeated in a way that brings back Dubnobasswithmyheadman-era Underworld all suggest the dancefloor. On the other, its powerful concert-like energy, brink-of-disorder feel and distortion – “achieving a crunchy texture is a personal mission,” Wiffen noted – distinguish it as clearly a group effort rather than a solitary home producer. They've performed around south London’s DIY scene for less than a year, “any spot with loud speakers”.

But the two tracks are vibrant and distinct – mutually and contemporary releases – to make you wonder about the band's future direction. Whatever it is, on the strength of these tracks, it’s sure to be engaging.

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